11/1/2022 0 Comments Dies irae requiem verdi![]() ![]() ![]() Since then, he has sung nearly 400 performances of 40 roles, including the Italian Singer in Der Rosenkavalier, Macduff in Macbeth, Rodolfo in La Bohème, the Duke in Rigoletto, Tito in La Clemenza di Tito, Vaudémont in Iolanta, Nemorino in L’Elisir d’Amore, the title roles of Idomeneo and Roberto Devereux, Don Ottavio in Don Giovanni, Nadir in Les Pêcheurs de Perles, Hoffmann in Les Contes d’Hoffmann, Roberto in Maria Stuarda, and Alfredo in La Traviata. On the operatic stage, she has delighted audiences at La Scala, the Bayreuth Festival, Staatsoper Berlin, the Paris Opera, English National Opera, Lyric Opera of Chicago, Houston Grand Opera, and Seattle Opera, among others.Īn audience favorite at the Met for nearly 25 years, tenor Matthew Polenzani made his debut in 1997 as Boyar Khrushchov in Boris Godunov. An avid concert singer, she has joined the Met Orchestra and Met Chamber Ensemble for numerous performances at Carnegie Hall, regularly appears in recital in the United States and Europe, and has collaborated with many of the world’s leading orchestras, including the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, Vienna Philharmonic, BBC Symphony Orchestra, Orchestre de Paris, Berliner Staatskapelle, Sao Paulo Symphony, and the Concertgebouworkest. In 2012, she was honored with the prestigious Richard Tucker Award.Ī graduate of the Met’s Lindemann Young Artist Development program, mezzo-soprano Michelle DeYoung made her debut in 1994 in Death in Venice and has since appeared in more than 100 performances with the company, including as Venus in Tannhäuser, Brangäne in Tristan und Isolde, the Shaman in the world premiere of Tan Dun’s The First Emperor, Didon in Les Troyens, and Fricka in Das Rheingold and Die Walküre. She has also appeared at Covent Garden, Houston Grand Opera, La Scala, Lyric Opera of Chicago, and the Santa Fe Opera, and in 2015, she starred as Tatyana Bakst in the world premiere of Jake Heggie’s Great Scott at the Dallas Opera. In recent years, she has sung Magda in La Rondine in Naples and Florence, the title role of Manon at the Vienna State Opera, Antonia in Les Contes d’Hoffmann at the Paris Opera, Nedda in Pagliacci at Dutch National Opera, and Violetta in La Traviata at the Bavarian State Opera, Paris Opera, Staatsoper Berlin, and in Zurich. Last May, she joined soprano Nadine Sierra and mezzo-soprano Isabel Leonard from the Royal Opera of Versailles as part of the celebrated Met Stars Live in Concert series, and during the 2021–22 season, she will return to the Met to make her role debut as Tatiana in Eugene Onegin. ![]() The 2016 recipient of the Met’s Beverly Sills Artist Award, established by Agnes Varis and Karl Leichtman, she made her debut with the company in 2015 as Micaëla in Carmen and has since given memorable portrayals of Mimì and Musetta in La Bohème, Alice Ford in Falstaff, Juliette in Roméo et Juliette, the Countess in Le Nozze di Figaro, and the title role of Thaïs. View Met Music Director Yannick Nézet-Séguin’s complete bio here.Ĭhicago-born soprano Ailyn Pérez has quickly become one of the most in-demand artists performing today. Quid sum miser (Soprano, Mezzo-Soprano, Tenor)Īgnus Dei (Soprano, Mezzo-Soprano, Chorus) The Metropolitan Opera Chorus costumes were underwritten by a generous gift from Douglas Dockery Thomas. The Verdi Requiem concert and broadcast are made possible by a generous gift from C. ![]() This concert is presented in association with the National September 11 Memorial & Museum. Hair and makeup executed by the Metropolitan Opera Wig and Makeup Department Kelly, Musical PreparationĬostumes for the female choristers designed by Isaac MizrahiĬhorus costumes executed by the Metropolitan Opera Costume Department ![]()
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